However, they were deemed not big enough names for an international audience.
#Gene wilder willy wonka and the chocolate factory album movie
I think felt…there was something wrong with soul in the movie – it just wasn’t how he imagined the lines being spoken.”Īll six members of the Monty Python comedy troupe: Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry Jones, and Michael Palin, also expressed interest in playing the lead role. His voice is very light and he’s got that rather cherubic, sweet face. Gene Wilder was rather too soft and didn’t have a sufficient edge. “I think he felt Wonka was a very British eccentric. Dahl also thought Peter Sellers would have been a better option than Wilder, and Sellers even reached out to Dhal to ask for the role, but that didn’t work out either. The film company didn’t agree though, and Milligan obviously wasn’t cast. He even shaved his beard off to do a screen test.” “He felt the Gene Wilder casting was wrong, His ideal casting was Spike Milligan and he said Milligan was really up for doing it. It’s crazy because Charlie and the Chocolate Factory author Rold Dahl was not happy that Gene Wilder was cast in the film! In an interview with Donald Sturrock, a friend of Dahl’s and the author of Storyteller: The Life of Roald Dahl, he shared: He was freakin’ amazing in that movie! His comedic timing was flawless and he was just so much fun to watch! After all these years, when I watch this movie, I’m still in awe by his insane performance. But it ends on a musical high point with the gorgeous, wistful finale, and is easily worthwhile for devoted fans of the composers or the movie.One of my all-time favorite performances of Gene Wilder is when he played Willy Wonka in the classic 1971 film Willy Wonka and The Chocolate Factory.
And one track, "Wonkamobile, Wonkavision/Oompa Loompa," offers so little music that its presence - apart from the Oompa Loompa song in the last third - is a complete cheat to extend the running time. Other tracks, such as "The Wondrous Boat Ride," just get by, offering mixing music and effects while others, such as "The Bubble Machine," might've worked better without the sound effects. Most of what's here is rewarding when the makers stick to music - the problem is that some of the tracks aren't much more than arrays of sound effects, with "Everlasting Gobstoppers/Oompa Loompa" coming off a lot like outtakes from any early-'70s Pink Floyd album. Not everything about the CD is perfect, however - the score itself is a little short, containing only about 30 minutes of music the rest of the running time involves linking dialogue and sound effects.
And then there's "Pure Imagination," as sung by Gene Wilder - to be sure, Julie Budd and others sing it better on any technical level one might care to cite, but there is something beguiling about the non-singer Wilder working his way through those lyrics and the melody. The movie also got a superb musical turn out of Jack Albertson ("I've Got a Golden Ticket"), working in the mode of Albert Sharpe. This CD tries to treat the score as it has deserved, giving a nicely, brightly mastered account of such songs as "The Candy Man," "Cheer Up, Charlie," and "I Want It Now/Oompa Loompa," and such jaunty instrumental pieces as "Lucky Charlie" (with its vaguely Irish lilt). But that wasn't close to all parents at the time, many of whom were so appalled by the nasty edge to the story and screenplay that they failed to grasp the score's beauty or the ultimately satisfying conclusion to the movie but over time, audiences caught up to the movie, and today it's widely regarded as a classic, and may well be the last successful live-action musical created specifically for cinema and aimed at kids (or, at least, the last not to come from Disney) and the fact that it was so far ahead of its time in 1971 has resulted in its seeming far less dated today than a 1971 movie would normally have a right to. They got more than they bargained for - almost too much, in terms of its appeal at the time - in an immensely tuneful score by Leslie Bricusse with delightful fantasy-laced lyrics by Anthony Newley, wrapped up in a film that appealed to the more worldly perceptions of children, and to parents who recalled that side of themselves.
The movie's producers were trying for a musical along the lines of Mary Poppins or Chitty Chitty Bang Bang, that is, something that could appeal to children but not bore adults, and vice versa, depending upon how one approached it. The CD version of the soundtrack to Willy Wonka and the Chocolate Factory issued in conjunction with the 25th anniversary re-release of the movie is a somewhat uneven presentation of a very good musical score.
0 kommentar(er)
